Domenique Dumont, Miniatures De Auto Rhythm  
Domenique Dumont
Miniatures De Auto Rhythm
EUR 1xLP 
Label: Antinote
Release Year: 2018
Style: Hip-Hop & R'n'B
 
  Tracks  
  1 Le Debut De La Fin
2 Quasi Quasi
3 Faux Savage
4 Ono Mambo Haiku
5 Quand
6 Sans Cesse, Mon Cheri
7 Message Of The Diving Bird
8 Le Soleil Dans Le Monde
 
  The brilliant DOMENIQUE DUMONT's second long player for Antinote Paris. TIP!

.
August 2018: It�s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote�s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with �an enigmatic French artist whose existence cannot be confirmed nor denied� (sorry, but it sounds like there�s still some mystery in the air, and, again, we�re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le D�but De La Fin (�the beginning of the end�). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It�s quite pleasant to imagine these eight �miniatures� as field recordings from an enchanted world of pop music designed by some Pierre & Gilles� disciples � or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.
 
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